Saturday, 27 February 2010
For the past few weeks, I've tinkered away with the brown painting. Some time during the middle of this week, even though it is by no means finished, I put it aside to begin work on a new piece. Firstly, it felt like the brown painting needed a little time alone to simmer but secondly, and more importantly, there was something new I really wanted to try. It stemmed from a conversation I had last month with my friend Richard, when he suggested that one way for me to move forward may be to try to combine my painting and photograpy. Since then, I've thought of several ways to do so and this new painting is going to be mt first attempt at acheiving this.
For this post, I'm going to put that aside to concentrate on a small detail that I am enjoying particularly on this new piece. This idea was lifted from one of the things that happened on the brown canvas.
What I've tried to do here is to bleed one of my lovely, lovely orange paints out of titanium white, to wash across the canvas. A river of orange, so to speak. Later I added in some black ink, which has rather taken over. However the ink is water-soluable and is unlikely to remain where it is for long.
I like both the startlingly stark colour combination, against the relatively plain background, and the way that the colour cuts through the background texture.
Of course, looking at it again, I realise that it looks like I have a pet bird that eats orange paint and likes to stand on the edges of my paintings…
Thursday, 25 February 2010
Saturday, 20 February 2010
I'm starting with a detail from the first new painting I've tried in a long time. I don't know where I'm going with this, whether or not I'm barking up the wrong tree. My aim now is to try to marry together my two warring artistic instincts: the controlled, retentive side and the other that desires little other than freedom and chaos.